BEATLES CD - GET BACK 1969 GLYN JOHNS ORIGINAL MIX SHM JAPAN

BEATLES CD - GET BACK 1969 GLYN JOHNS ORIGINAL MIX SHM JAPAN
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BEATLES CD - GET BACK 1969 GLYN JOHNS ORIGINAL MIX SHM JAPAN
THE BEATLES: GET BACK 1969 GLYN JOHNS ORIGINAL MIX SHM JAPAN CD For some reason, the world rec'd a mix of the Get Back LP from 1969-70 mix edits - however in Japan, they rec'd the "original" - untouched 1969 mix! There is a difference and now you can hear it! 14 songs plus 4 bonus songs from the EP in the set. 18 tracks total!

Total length of each disc: SHM JAPAN: 42:57 EUROPEAN ROW: 42:52

1 & 5- ONE AFTER 909 – I’VE GOT A FEELING SHM JAPAN: 1969 MIX with the speed one second slower throughout the track. EUROPEAN ROW: 1970 MIX with the speed one second faster throughout the track. The frequency graphs of “One After 909” show different patterns in some sectors. “I’ve Got A Feeling” is completely out of sync.

2. MEDLEY: I’M READY (AKA ROCKER) / SAVE THE LAST DANCE FOR ME / DON’T LET ME DOWN SHM JAPAN: 1969 MIX EUROPEAN ROW: 1970 MIX There is no additional difference in speed.

3. DON’T LET ME DOWN SHM JAPAN: 1969 MIX with slightly slower speed. EUROPEAN ROW: 1970 MIX with slightly faster speed (00:19- 1:25 and corrected at 1:26) due to a ‘glitch’ in the tape that Apple used in 2021 and that it is possible to hear to between 00:19 and 00:20 during John’s words to Ringo: “Do a nice big pshhhh (imitates the sound of a cymbal) .. for me, you know, to give me the courage to come screaming in”, and now we hear the glitch at the moment of saying the word “big”, which is cut off. The phrase without this problem can be heard on the Japanese disk.

4. DIG A PONY SHM JAPAN: 1969 MIX , but the glitch that appears in the original 1969 mix before starting the song has been removed. EUROPEAN ROW: 1970 MIX with slightly faster speed.

6. , 9., 10. & 13. GET BACK, TWO OF US, DIG IT & THE LONG AND WINDING ROAD SHM JAPAN: 1969 MIX with an ‘opaque’ sound and slightly slower speed. EUROPEAN ROW: 1970 MIX with a completely brilliant sound from a higher quality tape and slightly faster speed.

7. FOR YOU BLUE SHM JAPAN: 1969 MIX with George’s original vocal recorded in 1969. EUROPEAN ROW: 1969 MIX (00:01- 00:14 from a different source with much more “hiss” noise than the Japanese version) + 1970 MIX (00:15- 02:54), with the vocal overdub of George from 1970, different in several verses combined with the 1969 vocal.

8. TEDDY BOY SHM JAPAN: 1969 MIX with an ‘opaque’ sound. EUROPEAN ROW: 1969 MIX with a completely brilliant sound from a higher quality tape. There was no Glyn Johns 1970 mix for this song.

10. MAGGIE MAE SHM JAPAN: 1969 MIX with an ‘opaque’ sound. EUROPEAN ROW: 1970 MIX with a completely brilliant sound.

12. LET IT BE SHM JAPAN: 1969 MIX: With an “opaque” sound and a speed one second slower, from the beginning the whole track is out of phase compared to the next one. EUROPEAN ROW: 1970 MIX (00:01- 04:01) with brighter sound and one second faster speed + 1969 MIX (4:02- 4:09 during the final dialogue. The change in sound is very noticeable)

14. GET BACK SHM JAPAN: 1969 MIX with slightly slower speed. The “hiss” on the tape is noticeable during the ending, which is not heard on the European version. EUROPEAN ROW: 1969 MIX (00:00- 00:01 “hiss” sound) + 1970 MIX (00:02- 00:40) with slightly faster speed. The “hiss” noise is not present during the end compared with the Japanese version.

BONUS TRACKS FROM EP: 15. ACROSS THE UNIVERSE (1970 Glyn Johns Mix) 16. I ME MINE (1970 Glyn Johns Mix) 17. DON'T LET ME DOWN (Single Version - 2021 Mix) 18. LET IT BE (Single Version - 2021 Mix)